Berlin artist Susanne Kriemann (b. 1972, Germany) tracks remnants of the industrial era and the atomic age into our immediate environment. Her extensive engagement with radioactivity was initially motivated by the Chernobyl disaster of forty years ago, which remains a recurring motif in her artistic research. Now, this exhibition is centered around the landscapes of former uranium extraction sites in Saxony, Thuringia, and the Limousin region in France. These are places where radiation is not just a distant or abstract phenomenon, but rather present in the soil, flora, and architecture. This exhibition brings together her research and the materials revealed to the artist when her Berlin studio was renovated. Kriemann thus makes use of an expanded understanding of photography, incorporating material and process in equal measure.